Into the World Billy Elliot Essay

The life symbolise of entering a new world is crucial for matchlessself, in requiring an individual to adopt optimistic branches in a plethora of life aspects. This perception is successfully conveyed through Stephen Daldrys 2000 drama motion picture, billy club Elliot, and is assisted by the directors application of the tools of film production. In enhancing the perspective communicated through J. C. removes 2005 Australian novel, The Story Of Tom Brennan, the film clearly demonstrates the benefits of pitiful into the world.The composer applies metaphorical mise-en-scene in establishing the thought that the lack of progressive connections forms barriers from entering a new world. The issue of family breakdown is communicated through Daldrys function of the kitchens mise-en-scene where Mrs Wilkinson and Tony Elliot argue. The confined placement of objects, as well as low lighting, forms an overwhelming atmosphere, shaping the hardships approach by these shattered relationships . This is also delivered through Daldrys motif of a brick wall that metaphorically encloses billy goat from venturing into the world.As billystick Elliot lacks a female role model, he is faced with barriers such as violence, which lowers both self-esteem, and optimistic perceptions. Likewise, this complements the nature of Theresa Brennan and Burkes notion that one must develop strong relationships in order to venture into the world. Constructing positive relationships and renewing ones sense of self is central in the phases of metamorphosing into the world, as supported by Daldrys use of camera breezes and symbolism. A constantly progressive routine of entering the world is supported by Daldrys long shots of roads and bridges, which enhance the idea of change of location forward.This is linked to The Story Of Tom Brennan and Toms constructive relationship with Brendan, as seen through his grow response in discovering the homosexuality of his uncle. The effective use of symbo lism communicates a growth in character development, in contrasting the end results of the sub-journeys. The pathetic fallacy of rain, snow and clouds illustrates a strangling vibe that barricades Billy from entering the world, as a result of self-doubt, a lack of identity, and a lack of role models.This contrasts to the cocker shots of Billy Elliots confident body language through dancing and breaking through doors, as well as the low angle shots of Billy ascending stairs, metaphorically into a new world. A final stage of entering the world is confirmed through Daldrys layered long shot of Billy and his father walking down a path, which leads towards an oceanic horizon. This complements the intimate, final moments of The Story Of Tom Brennan, in which Tom admits to have found himself through his relationship with Chrissy, as juxtaposed to his first, adverse impression of moving into the new town of Coghill.Stephen Daldry is shown to successfully convey the process of venturing int o the world, in elaborating on the progression of self and triplex bonds. By effectively applying the elements of cinematography, in a metaphorical manner, the director both enhances and complements the developing vibe, as communicated in J. C. Burkes novel, The Story Of Tom Brennan. For one to enter a new world, it is therefore communicated that one must adopt affirmative perceptions of their present world.